a simple map isnt a map that ignores certain gameplay mechanics to please a specific crowd of players in fact thats probably the furthest from the definitipn you can get
Etsuko stands as a groundbreaking force in the realm of music, achieving a monumental leap that surpasses the spectrum of postmodern musicians. Unfortunately, this historical merit remains somewhat overlooked by the international community, despite the impracticality and senselessness of introducing a new musical reproduction format.
Yet, this isn't solely about meritocracy; it's a rare instance where a significant experimental advance is meticulously planned within the industry. Typically, foundations are laid, allowing others to develop it in the future through cultural progression. Etsuko represents both the beginning and the culmination of my beliefs regarding recording formats at a cellular level.
What adds intrigue beyond the novelty of a new musical distribution format is the thematic approach it takes. Etsuko crafts an incredible anthem that delves into the human narrative from an abstract yet recognizable perspective. The selection of the sound palette is consistently excellent, showcasing an omniscient hand at play, seamlessly blending electronic harps and instrumental bridges in the rock/electro intermediate.
This groundbreaking song not only introduces a new musical distribution format but also deftly combines mellifluous, sweet vocalization with discordant, alien rhythms. This unique fusion serves as a sonic manifesto, further bolstering the song's ethos—a resolute rejection of humanity or a retreat to a more rudimentary state of being. The interplay of sweet vocals and alien rhythms creates a dissonance that challenges conventional norms, inviting listeners to explore a realm beyond the familiar constraints of traditional music.
Rather than succumbing to the temptation of being pedantic, attempting to saturate the song with elements representative of all human culture, Etsuko takes a commendable approach. She draws only from the essential components of her own career, resulting in the most cohesive song throughout her entire history.
The writing beautifully weaves apocalyptic satin with a positivist conclusion, featuring a super catchy chorus and functional bridges for the juxtaposition of narrative and sound. Everyday sound effects are cleverly used to reference civilization and its customs. The harps are configured with constant ascending and descending notes, coupled with slight panning to create an atmospheric backdrop. Recognizable visual figures are employed to evoke a sense of weight and familiarity, complementing the overall beauty of the vocal structure. In this groundbreaking composition, the marriage of mellifluous vocals and alien rhythms not only challenges the conventional norms of music but acts as a sonic portal, inviting listeners to transcend the boundaries of the human experience and explore a more primal, otherworldly state.
idk why i only gave this 4 it competes with agony
the only osu map that screams at you
best diff spike ever
Old ass man
We are Anonymous. We are Legion. We do not forgive. We do not forget.
void
This map is like a 4/10
in december this map will have been the best map in the game for a decade and i'm rather excited
had to revisit. its still the best map in the game
this map feels so empty that its impressive
Well maybe not but the map is so pleasant
kind of like rrtyui atomosphere if it did less
[printer noises] [high pitched discordant beeping] it wasn't a bad thing :< put him back in
a simple map isnt a map that ignores certain gameplay mechanics to please a specific crowd of players in fact thats probably the furthest from the definitipn you can get
that doesnt change anything about the statement
Argument: New players would leave osu if maps used any gameplay mechanic other than jump
idgaf
This map has nothing to offer. Thats simplicity at its peak lol. I am a very smart osu user
Fuck this map
mappers see something peaceful and tranquil and get upset
the map is just nice idk what you guys are expecting
pray vs for you (hydrogen bomb vs coughing baby)
01:22:720 (1,2,3,4,5) -
otherworldly
Etsuko stands as a groundbreaking force in the realm of music, achieving a monumental leap that surpasses the spectrum of postmodern musicians. Unfortunately, this historical merit remains somewhat overlooked by the international community, despite the impracticality and senselessness of introducing a new musical reproduction format.
Yet, this isn't solely about meritocracy; it's a rare instance where a significant experimental advance is meticulously planned within the industry. Typically, foundations are laid, allowing others to develop it in the future through cultural progression. Etsuko represents both the beginning and the culmination of my beliefs regarding recording formats at a cellular level.
What adds intrigue beyond the novelty of a new musical distribution format is the thematic approach it takes. Etsuko crafts an incredible anthem that delves into the human narrative from an abstract yet recognizable perspective. The selection of the sound palette is consistently excellent, showcasing an omniscient hand at play, seamlessly blending electronic harps and instrumental bridges in the rock/electro intermediate.
This groundbreaking song not only introduces a new musical distribution format but also deftly combines mellifluous, sweet vocalization with discordant, alien rhythms. This unique fusion serves as a sonic manifesto, further bolstering the song's ethos—a resolute rejection of humanity or a retreat to a more rudimentary state of being. The interplay of sweet vocals and alien rhythms creates a dissonance that challenges conventional norms, inviting listeners to explore a realm beyond the familiar constraints of traditional music.
Rather than succumbing to the temptation of being pedantic, attempting to saturate the song with elements representative of all human culture, Etsuko takes a commendable approach. She draws only from the essential components of her own career, resulting in the most cohesive song throughout her entire history.
The writing beautifully weaves apocalyptic satin with a positivist conclusion, featuring a super catchy chorus and functional bridges for the juxtaposition of narrative and sound. Everyday sound effects are cleverly used to reference civilization and its customs. The harps are configured with constant ascending and descending notes, coupled with slight panning to create an atmospheric backdrop. Recognizable visual figures are employed to evoke a sense of weight and familiarity, complementing the overall beauty of the vocal structure. In this groundbreaking composition, the marriage of mellifluous vocals and alien rhythms not only challenges the conventional norms of music but acts as a sonic portal, inviting listeners to transcend the boundaries of the human experience and explore a more primal, otherworldly state.