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fanzhen0019's comments


KAO DEKAI

hoodclas

i love pingpong

2008 but a concept map

HolyCOW

This difficulty has been blacklisted from OMDB.
Reason: mapper has requested blacklist

epic moment at the last seconds after +hr 5/5

i mean the 5* diff btw

i have like 23 reasons of disliking this mapping but yeah

why and when was glass banned

crazy how this map actually have tons of slider velo changes but it still looks like a map with overall 3.2x slider velocity w/o any multiplier

imo the map makes sense with x0.75 playback rate or lower, which makes it more impressive cuz the mapper was actually just like mapping a 1.5 or 2x longer song with a non-stop pattern showcase. imagine dragging sliders and put green lines for a 10min song

me when ztrot's loli pantsu

fun fact:

pan hs from 2012

i remember this name

i read 2 biographies of marcel duchamp in 2019 and here is the result.

i like how duchamp had fucked up the whole concept of contemporary art in the early wild years of 20th century. in this mapping case, however, it is actually so cringe to say things like 'wow i got the idea of readymade objects and i thought it could be used in osu mapping as well!’. anyway, i chose two imporatant maps to me, which means i had played them a lot, and they had a good impact to my perspective of mapping. ‘readymade’ got me because i could create the similar but different gameplay experience by creating a dialogue to a ten-year-old map. hence, the feeling i got in ten years ago would simply be inherited to the next generation of players. this was the reason i decided to rank it.

yeah i later realized this was broken as fuck. why don’t you play the old map yourself?
this became a failure of kitsch at this point.

btw i've experimented the 'readymade map' idea twice in 2019, here is the another one: /s/929385

emotional experience

it's good

i love the storyboard

playing this map and other doomsday's maps makes me wonder if he is a drummer

gameplaying

solid 4.5

true e

very fun to play

interesting unsnapped objects

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