god tier trolling, you have people either exerting 110% of their brain power trying to understand this map or gaslighting themselves into seeing logic or patterns lol
It's very exciting to play when you have ptsd from randomly generated rhythm/spacing/angles/sv in maps from the past few years (not all)
Playing something like this 02:10:983 (5,6,1,2,3,4,5,1,2,3,4,5,6,1,1,1,1) - just hits right even though the map is only 4*. I will always love lower sv for the extra bit of punch it adds to the already accentuated sliderheads
If you wanted to make some kind of demonstration about putting aside personal beef and coming together as a community, why do it with a blind collab? lol
@[[[[[[ It's such a dumb and loaded takeaway that I figured he's just trolling, but anyway I'm not telling anyone how to map, just using the comments to explain my ratings like they're intended for
Pretty much requires a sliderend-less skin to play (and also the esoteric knowledge that sliderends aren't actually where they appear to be, which is really unfair IMO)
Every difficulty hard focuses the vocals at the halftime section where the drums are the main attraction and half of the kicks are inside or on the ends of sliders, but at least they had the courtesy to lower the SV by 0.00001
I never understood why people keysound in standard despite the song still playing even if you miss notes (as opposed to some games where this practice originated from). You would think that under these circumstances someone would use the samples to add another melody or something on top of the song, instead of copy-pasting what's already there for nobody to notice unless they happen to disable music volume in the editor. But that's neither here nor there.
I think avalon was a godsend for mapping theory, but it doesn't seem to be effective in teaching people how to innovate upon that theory, bend the principles (the word "rule" scares people), and have ideas in relation to the song they're mapping. It's like a mathematician trying to use category theory to do their finances. Theory ought to be applied within reason.
I can't definitively call this map bad; it's a good map in the most technical sense that the objects do not tend to contradict each other on screen given the approach time, but it's not something I would get excited to play because of how visually sterile it is while also being seemingly untestplayed. The 1/2 spam in the in choruses, non-sequitur spacing, and lack of attention paid to aim strain give me that impression.
Anyway, I don't feel strongly about this map so I'll refrain from voting on it. These are just some general gripes I felt would be appropriate to post on a map that ticks both boxes. Sorry for posting cringe
Can people stop with the newgen/oldgen shit? It's regressive and fucking illogical. Bezier sliders are just sliders. Use them as you please.
I feel like this flew under the omdb radar
whether or not someone likes a map usually isn't connected to how coherent the map is
lazer's no buts is one of my favorite maps of all time
god tier trolling, you have people either exerting 110% of their brain power trying to understand this map or gaslighting themselves into seeing logic or patterns lol
raijodo listening to a new demon every 2 seconds while mapping his diff
I thought this was a cheap copy of Al-Azif's map until 2:43, then I remembered tieff has that dawg in him
Patterns are hit or miss but when they hit damn are they good
I agree with the same pattern point though that triangle with the circle in the middle kinda overstayed its welcome
It's very exciting to play when you have ptsd from randomly generated rhythm/spacing/angles/sv in maps from the past few years (not all)
Playing something like this 02:10:983 (5,6,1,2,3,4,5,1,2,3,4,5,6,1,1,1,1) - just hits right even though the map is only 4*. I will always love lower sv for the extra bit of punch it adds to the already accentuated sliderheads
Also I hate the song lol
If you wanted to make some kind of demonstration about putting aside personal beef and coming together as a community, why do it with a blind collab? lol
damn, not bad dude
The rhythm in the swing section before the first chorus should not have passed qual in any universe
Someone like Natteke can be gone for 5 years and forget how to do sane spacing and the next map will still feel right
man this is a throwback
I remember praising jace for this pattern 01:21:091 (1,2,1,2,1,1,1,1,2,3) -
Need more songs like this in ranked
Just awesome, this map is the embodiment of high effort
It's less about the song itself and more about how I fundamentally disagree with this map's right to exist (which is pretty much what I reserve 0 for)
@[[[[[[ It's such a dumb and loaded takeaway that I figured he's just trolling, but anyway I'm not telling anyone how to map, just using the comments to explain my ratings like they're intended for
Pretty much requires a sliderend-less skin to play (and also the esoteric knowledge that sliderends aren't actually where they appear to be, which is really unfair IMO)
I don't think the people who know this map are rating it from a purely mapper's perspective
Every difficulty hard focuses the vocals at the halftime section where the drums are the main attraction and half of the kicks are inside or on the ends of sliders, but at least they had the courtesy to lower the SV by 0.00001
What does it mean for the skin to fit the mapping? I was actually glad to see map skin where someone isn't cosplaying some 2010 garbage
I'm sad the elvis diff didn't stay as AR9
I never understood why people keysound in standard despite the song still playing even if you miss notes (as opposed to some games where this practice originated from). You would think that under these circumstances someone would use the samples to add another melody or something on top of the song, instead of copy-pasting what's already there for nobody to notice unless they happen to disable music volume in the editor. But that's neither here nor there.
I think avalon was a godsend for mapping theory, but it doesn't seem to be effective in teaching people how to innovate upon that theory, bend the principles (the word "rule" scares people), and have ideas in relation to the song they're mapping. It's like a mathematician trying to use category theory to do their finances. Theory ought to be applied within reason.
I can't definitively call this map bad; it's a good map in the most technical sense that the objects do not tend to contradict each other on screen given the approach time, but it's not something I would get excited to play because of how visually sterile it is while also being seemingly untestplayed. The 1/2 spam in the in choruses, non-sequitur spacing, and lack of attention paid to aim strain give me that impression.
Anyway, I don't feel strongly about this map so I'll refrain from voting on it. These are just some general gripes I felt would be appropriate to post on a map that ticks both boxes. Sorry for posting cringe