i think altai did an incredible job with using additive rhythm for a drop that would otherwise be underwhelming if he would have followed the song and it's sparser rhythm
i really want to give it like a 3 or 3.5 but i personally think the rhythmic contrast between verses & choruses is a bit too much. wish there was more active 1/3, 1/4 and the rhythm in choruses doesnt play bouncy enough for me despite though the song having a bounce
i remember not liking the kaifin diff whatsoever when i first saw it but it's actually a refreshing take on this song, even if i still have a few grievances towards some of kaifin's choices
schoolboy popped off
yk i said that but i forgot that this one exists and is p good as well
some songs just shouldnt be allowed to be mapped again tbh
i mean it looks cool but
simple execution done well, though i do agree with semaphore about that triangle pattern w/the circle in the middle
this map brings me back to when mapping was good
this map still makes no sense to me
milan's insane 🔥
this bg throws me off every time i f2 to this song
fun high cs map
wish this was on spotify
this is so mysistersipodin2008core [2]
i dont get why the nonono bg was used but wahtever map is pretty good
it's funny but i dont particularly like it for the song
i think altai did an incredible job with using additive rhythm for a drop that would otherwise be underwhelming if he would have followed the song and it's sparser rhythm
chill dnb map
very fun to play
can we go back to tech from before like 2019
i really want to give it like a 3 or 3.5 but i personally think the rhythmic contrast between verses & choruses is a bit too much. wish there was more active 1/3, 1/4 and the rhythm in choruses doesnt play bouncy enough for me despite though the song having a bounce
00:50:042 (1,1) -
KOAN Sound & Asa - Tetsuo's Redemption (Jakomo73) 01:51:122 - is a better representation of the drop imo and 01:51:122 (1,2,3,1,1) - the ccw or cw movement is just so enjoyable for these synths
like i really want to give it a 2.5-3 from 00:57:980 - to 01:52:408 - but damn this part of the drop was NOT it
rly fun
i remember not liking the kaifin diff whatsoever when i first saw it but it's actually a refreshing take on this song, even if i still have a few grievances towards some of kaifin's choices
the glazing 😴