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HyuN feat. JP-8 Eater - THE SERVANT OF EVIL by Enepoyo

Mapset info
Last updated: Aug 4th, 2023
Average Rating: 4.33 / 5.00 from 6 votes

Graved Mapset
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#5 6.69*
Rating Distribution
Rating: 4.17 / 5.00 from 6 votes
Ranking: #1034 for 2023, #7175 overall
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9.3 6.69*
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Latest Ratings
momothx
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Mysty
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[[[[[[
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funny
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melloe
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Comments (1)
1w ago

fantastic map that, despite a relatively elaborate slider style, still finds room for the music, most notably through exceptionally satisfying rotational movement

some examples:
00:30:708 (1,2,3,4,5,6,1,1,2,3,1,2,3,4,1) - clockwise to counterclockwise
00:37:617 (1,2,3,1,2) - ccw to cw
01:34:344 (4,1,2,1,2,3,1,2,3,4,5) - cw to ccw
01:37:435 (6,1,2,3,4,1,2,1,2,3,4,1) - cw to ccw
01:41:071 (1,2,3,4,5,1,2,1,2,3,4,5,6,7,1) - cw
01:50:526 (1,2,3,4,5,1,2,3,1,2,3,4,1,2,1,2,3,4) - cw to ccw
followed by 01:43:253 (1,2,3,4,5,1,2,3,1,2,3,4,1) - ccw to cw, one of my favorite patterns in the map. reusing the 4stream in the opposite direction.. so good
another amazing one. 00:33:071 (1,2,3,4) - low notes, clockwise, then 00:33:435 (1,2,3,4,5) - high notes, counterclockwise, 00:33:980 (1,2,3) - low notes, clockwise, 00:34:344 (4,1,2,3,4) - high notes, counterclockwise.

preserving and repeating movements, then tailoring them to fit changes in the music to create A Pattern
00:38:890 (1,2,3,4,5,1,2,3,1,2,3,4,5) -
00:42:526 (1,2,3,4,5,6,7,8,9,10,11,12,1,1,2,3,4,5,1,1,2,3,4,5) - similar swooping motion
01:53:617 (1,2,3,4,5,6,1,2,3,4,5) - obviously

some other cool stuff
01:06:344 (1,2,3) - lmao
01:09:799 (1,2,3,4,5,6,7,8,9,10,11,12,13,14,15) - a classic enepoyo shaped stream
01:24:344 (1,2,3,4,5,6,7,8,9,10,11,12,13,14,1,2,1,2,1,2,3,4,5,6,1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,1,2,3) - two phrases here. really like the choice to represent the first half of each phrase as a stream over the vocals, then switch to vocal sliders for the second half. really makes the second half vocals hit harder
01:49:071 (1,2,1) - cute

great song, love what the map does with it. really makes you hear every note. it pays a lot of attention to melody, especially differentiating between high and low notes in different ways, which is an extra cool thing when the melody is so relentless

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