Laurent Bertaud, Jean-Christophe Prudhomme - The Garfield Show Theme (TV Size) by Clarity

ratio

can u not bring garf to osu

hard mapping

garf

finally

why don't the fat orange cat leave the depressed man alone

When I was 18, 18 years old, I saw for the first time in my life, I saw a vision of clarity. I saw a comic strip, a three panel comic strip that, though simple as it seemed, changed me, changed my being, changed who I am, made me who I am, enlightened me. The strip, Garfield, the comic strip was new, no more then maybe a month and a half since inception, since... since coming into existence, and there it was before me in print, I saw it, a comic strip. What was it called? Garfield. The story here is of a man, a plain man. He is Jon, but he is more than that. I will get to this later, but first, let us just say he is Jon, a plain man, and then there is a cat, Garfield. This is the nature of the world here. When I see the world, the...the politics, the future, the... satellites in space, and the people who put them there, you could look at everything as a man and a cat. Two beings, in harmony, and at war. So this strip I saw about this man, Jon, and the cat, Garfield, you see.... yes, hmm, it is about everything, this little comic is, oh... lo and behold not so little anymore. So yes, when I was 18, I saw this comic and it hit me all at once, its power, I clipped it and every day I looked at it and I said, okay, let me look at this here, what is this doing to me? Why is this so powerful? Jon Arbuckle, he sits here, legs crossed, comfortable in his home and he reads his newspaper. The news of the world perhaps. Then he extends his fingers, lightly, delicately, he taps his fingers on an end table and he feels for something. What is it? It is something he needs, but it is not there. Then he looks up, slightly cockeyed and he thinks... his newspaper in his lap now, and he thinks this: "Now where could my pipe be?" This... I always come to this, because I was a young man, I'm older now, and I still don't have the secrets, the answers, so this question still rings true, Jon looks up and he thinks: "Now where could my pipe be?", and then it happens, you see it, you see... it's almost like divine intervention, suddenly, it is there, and it overpowers you, a cat is smoking a pipe. It is the mans pipe, it's Jon's pipe, but the cat, this cat, Garfield, is smoking the pipe, and from afar, and from someplace near, but not clear... near but not clear, the man calls out, Jon calls out, he is shocked. "Garfield!" he shouts. Garfield, the cats name. But let's take a step back. Let us examine this from all sides, all perspectives, and when I first came across this comic strip, I was at my fathers house. The newspaper had arrived, and I picked it up for him, and brought it inside. I organized his sections for him and then, yes, the comic strip section fell out from somewhere in the middle, landed on the kitchen floor. I picked up the picture pages and saw up somewhere near the top of this strip, just like Jon, I too was wearing an aquamarine shirt, so I thought, "Hah! Interesting, I'll have to see this later." I snipped out the little comic and held onto it, and 5 days later, I re-examined, and it gripped me, I needed to find out more about this. The information I had was minimal, but enough. An orange cat named Garfield. Okay, that seemed to be the linchpin of this whole operation. Yes, another clue, a signature on the bottom right corner, a mans name, Jim Davis. Yes, I'm onto it for sure, so. 1. Garfield, orange cat, and 2. Jim Davis, the creator of this cat, and that curiously plain man. I did not know at the time that his name was Jon. The strip, you see, had no mention of this mans name, and, I've never seen it before. But I had these clues. Jim Davis, Garfield. And then I saw more, I spotted the tiny copyright at the upper left corner, copyright 1978, to... what is this? Copyright belongs to a "PAWS Incorporated"? I used the local library and mail services to track down the information I was looking for. Jim Davis, a cartoonist, who created a comic strip about a cat, Garfield, and a man, Jon Arbuckle. Well from that point on I made sure I read the Garfield comic strips, but as I read each one, as each day passed, the strips seemed to resonate with me less and less. I sent letters to PAWS Incorporated, long letters, pages upon pages, asking if Mr. Jim Davis could somehow publish just the one comic, over and over again, it would be meditative, I wrote, the strength of that, could you imagine? But, no response. The strips lost their power, and eventually I stopped reading, but... I did not want my perceptions deluded so I vowed to read the pipe strip over and over again. That is what I called it, "The Pipe Strip", The Pipe Strip. Everything about it is perfect, I can only describe it as a miracle creation, something came together, the elements aligned. It is like the comets, the cosmic orchestra that is up there over your head. The immense, enormous void is working all for one thing, to tell you one thing. Gas, and rock and purity and... Nothing! I will say this, when I see the pipe strip, and I mean every single time I look at the lines, the colors, the shapes, that make up the three panel comic, I see perfection. Do I find perfection in many things? Some things I would say, some things are perfect. And this is one of them. I can look at the little tuft of hair on Jon Arbuckle's head, it is the perfect shade, the purple pipe in Garfield's mouth, how could a mere mortal even make this? I have a theory about Jim Davis, after copious research, and yes of course now we have the internet, and all this information is now readily available but... Jim Davis, he used his life experiences to influence his comic. Like I mentioned before, none of them seemed to have the weight of The Pipe Strip, but you have to wonder about the man who is able to even, just once, create the perfect form, a literally flawless execution of art, brilliance! Just as an award, I think there is a spiritual element at work. I've seen my share of bad times, and when you have something, well, it's just, emotions and neurons in your brain, but something tells you it's the truth, truth's radiant light. Garfield the cat? Neurons in my brain, it's, it's harmony you see, Jon and Garfield, it's truly harmony, like a continuous looping everlasting harmony. The lavender chair, the brown end table, the salmon colored wall, the forest green carpet, and Garfield is hunched, perched perhaps, with the pipe stuck firmly between his jowls, his tail curls around. It's more then shapes too because... I... Okay, stay with me, I've done this experiment several times. You take the strip, you trace only the basic elements. You can do anything, you can simplify the shapes down to just blobs, just outlines, but it still makes sense. You can replace the blobs with magazine cutouts of other things, replace Jon Arbuckle with a car parked in a driveway sideways, cut that out of a magazine, stick it in, replace it there in the second panel with a, a food processor, okay. And then we put a picture of the planet in the third panel over Garfield. It still works. These are universal proportions, I don't know how best to explain why it works, I have studied The Pipe Strip, and analyzed Jon and Garfield's proportions against several universal mathematical constants: e, pi, the Golden Ratio, the Feigenbaum constants and so on, and it's surprising, scary, how things align. You can take just tiny pieces of the pipe strip for instance, take Jon's elbow from the second panel, and take that and project it over Jon's entire shape in the second panel, and you'll see a near perfect Fibonacci sequence emerge.