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Camellia ft. Yukacco - Be Wild by hi-mei

Mapset info
Ranked: Aug 9th, 2018
Average Rating: 1.35 / 5.00 from 47 votes
Japanese Electronic
Nominators
Wishkey Kuron-kun


Rating Distribution
Rating: 1.16 / 5.00 from 47 votes
Ranking: #1146 for 2018
marathon
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Comments (16)
1mo ago

I forgot this existed!!

9mo ago

olc had basically this exact take on mapping but he actually knew how his maps played

9mo ago

Visuals matter, hitsounding matter, angles matter, tactile feedback matter, consistent spacing matter.
You can do stuff in different ways, improvised or systematic, from the start or vice versa.
Design is not an art. Design is a shared understanding.
Shape follows function.

Accept criticism when its logically explained.
Visible logic > style, or any made up excuse you can come up with.
Style is not an excuse, it is an approach that provides all the concepts on normal level of execution.

Quantity begets quality.
To get gradually better, you must always question yourself whether you can explain stuff you are doing or not. A great pattern is a pattern you can fully explain using logic and concepts (parallelism, symmetry, blanketing, polygons, grids, pseudo-randomness, antiflow, map's theme etc).

9mo ago

reading hi-mei's mapping 'philosophy' in his profile reminds me of olc

9mo ago

remember how much of a piece of shit this guy was

1yr ago

this map agitates me

1yr ago

I like this map

1yr ago

bye-mei

1yr ago

how did he make the woat

2yr ago

I guess I can see this map being super questionable in regards to what it stands for + the mapper's attitude as a whole. That being said, I weirdly find it pretty fun

2yr ago

thanks ajt

2yr ago

i remember this name

2yr ago

also read his >for mappers box on this map lol. i think a lot of people, mappers included, resent this attitude towards mapping

2yr ago

perfect summary

2yr ago

he's just bad, that simple

2yr ago

probably gonna get lynched for this comment but kinda curious as to why the osu! mapping community has such a distaste towards hi-mei's mapping

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