Etsuko stands as a groundbreaking force in the realm of music, achieving a monumental leap that surpasses the spectrum of postmodern musicians. Unfortunately, this historical merit remains somewhat overlooked by the international community, despite the impracticality and senselessness of introducing a new musical reproduction format.
Yet, this isn't solely about meritocracy; it's a rare instance where a significant experimental advance is meticulously planned within the industry. Typically, foundations are laid, allowing others to develop it in the future through cultural progression. Etsuko represents both the beginning and the culmination of my beliefs regarding recording formats at a cellular level.
What adds intrigue beyond the novelty of a new musical distribution format is the thematic approach it takes. Etsuko crafts an incredible anthem that delves into the human narrative from an abstract yet recognizable perspective. The selection of the sound palette is consistently excellent, showcasing an omniscient hand at play, seamlessly blending electronic harps and instrumental bridges in the rock/electro intermediate.
This groundbreaking song not only introduces a new musical distribution format but also deftly combines mellifluous, sweet vocalization with discordant, alien rhythms. This unique fusion serves as a sonic manifesto, further bolstering the song's ethos—a resolute rejection of humanity or a retreat to a more rudimentary state of being. The interplay of sweet vocals and alien rhythms creates a dissonance that challenges conventional norms, inviting listeners to explore a realm beyond the familiar constraints of traditional music.
Rather than succumbing to the temptation of being pedantic, attempting to saturate the song with elements representative of all human culture, Etsuko takes a commendable approach. She draws only from the essential components of her own career, resulting in the most cohesive song throughout her entire history.
The writing beautifully weaves apocalyptic satin with a positivist conclusion, featuring a super catchy chorus and functional bridges for the juxtaposition of narrative and sound. Everyday sound effects are cleverly used to reference civilization and its customs. The harps are configured with constant ascending and descending notes, coupled with slight panning to create an atmospheric backdrop. Recognizable visual figures are employed to evoke a sense of weight and familiarity, complementing the overall beauty of the vocal structure. In this groundbreaking composition, the marriage of mellifluous vocals and alien rhythms not only challenges the conventional norms of music but acts as a sonic portal, inviting listeners to transcend the boundaries of the human experience and explore a more primal, otherworldly state.
this is pretty fun but the map is still:/ for me with the whole complexity thing choruses feeling like the easiest parts of the map and then some 0 intensity section getting random dense pattern
this does the same thing yusomi maps does but instead of increasing pattern complexity at the absolute worst places it increases reading complexity at the absolute worst places
fun fact: this map was transcribed into a nucleic acid sequence (dna, literally), subsumed into macro-molecules, which were then implanted into the chromosomes of cyanobacteria. these bacteria now carry this song encoded into their dna and if they one day outlive humanity, this song will live on. what was the mapper's similarly revolutionary idea? map cancer then make it ar0
true
this is like the best map in the game
its ok
Etsuko stands as a groundbreaking force in the realm of music, achieving a monumental leap that surpasses the spectrum of postmodern musicians. Unfortunately, this historical merit remains somewhat overlooked by the international community, despite the impracticality and senselessness of introducing a new musical reproduction format.
Yet, this isn't solely about meritocracy; it's a rare instance where a significant experimental advance is meticulously planned within the industry. Typically, foundations are laid, allowing others to develop it in the future through cultural progression. Etsuko represents both the beginning and the culmination of my beliefs regarding recording formats at a cellular level.
What adds intrigue beyond the novelty of a new musical distribution format is the thematic approach it takes. Etsuko crafts an incredible anthem that delves into the human narrative from an abstract yet recognizable perspective. The selection of the sound palette is consistently excellent, showcasing an omniscient hand at play, seamlessly blending electronic harps and instrumental bridges in the rock/electro intermediate.
This groundbreaking song not only introduces a new musical distribution format but also deftly combines mellifluous, sweet vocalization with discordant, alien rhythms. This unique fusion serves as a sonic manifesto, further bolstering the song's ethos—a resolute rejection of humanity or a retreat to a more rudimentary state of being. The interplay of sweet vocals and alien rhythms creates a dissonance that challenges conventional norms, inviting listeners to explore a realm beyond the familiar constraints of traditional music.
Rather than succumbing to the temptation of being pedantic, attempting to saturate the song with elements representative of all human culture, Etsuko takes a commendable approach. She draws only from the essential components of her own career, resulting in the most cohesive song throughout her entire history.
The writing beautifully weaves apocalyptic satin with a positivist conclusion, featuring a super catchy chorus and functional bridges for the juxtaposition of narrative and sound. Everyday sound effects are cleverly used to reference civilization and its customs. The harps are configured with constant ascending and descending notes, coupled with slight panning to create an atmospheric backdrop. Recognizable visual figures are employed to evoke a sense of weight and familiarity, complementing the overall beauty of the vocal structure. In this groundbreaking composition, the marriage of mellifluous vocals and alien rhythms not only challenges the conventional norms of music but acts as a sonic portal, inviting listeners to transcend the boundaries of the human experience and explore a more primal, otherworldly state.
you know what i apologize I wasnt familiar with ur game deppyforce
my goat
Get out of my head
the goat
this map is not suppose to be mapped
epic moment at the last seconds after +hr 5/5
the first map i don't personally find rateable
u guys just dont get it
I think if there were lots of maps like this getting made and the good ones got into the ranked section I would be happy
this is pretty fun but the map is still:/ for me with the whole complexity thing choruses feeling like the easiest parts of the map and then some 0 intensity section getting random dense pattern
osu needs more low ar maps but not like this T-T
Stop the cap
Great fun
it vaguely resembles a map i guess
One of the maps of all time
map is fixed ig so imma pull the trigger
give this man a nino gang
good song
I am a hungry child starving to death and this is the last map i see. Gootbye
He has a true
this does the same thing yusomi maps does but instead of increasing pattern complexity at the absolute worst places it increases reading complexity at the absolute worst places
i thought maps are supposed to have patterns
fun fact: this map was transcribed into a nucleic acid sequence (dna, literally), subsumed into macro-molecules, which were then implanted into the chromosomes of cyanobacteria. these bacteria now carry this song encoded into their dna and if they one day outlive humanity, this song will live on. what was the mapper's similarly revolutionary idea? map cancer then make it ar0
wtf LOL
impossible to hr 10/10
thats crazy
only if the map changes drastically i guess
so will the votes get wiped when it gets ranked again
SOrry
yea
What the fuck is happening
I don't think it's a 0 but it's in line with the aesthetic to rate it a 0