FELT - Rendezvous by UndeadCapulet

crazy how this was comically unconventional in 2018

i dont understand how anyone could hate this map its so fun and well made

This map is just soo beautiful, i love every second of it

1000 gecs of mapping

math rock coded methinks

movement mapping 🔛🔝 let's be real

Movement mapping is very jazz coded i think

movement mapping is like the 100 gecs of osu

U so truth viprus

well i like jackson pollock 😶‍🌫️

jackson pollock looking ass map

life-changing

yeah this is not ai generated the objects make sense... movement is good

dada u real for that

nah u cappin to map this shit at the time this was made was like some einstein shit actually

i still dont fuck with it heavy but its grown on me

this looks like one of those ai generated maps

this is the Dark Side Of The Moon for movement mappers [2}

out of curiosity I played this map without hitsounds and I liked it a lot more I think

ok wait its hot hot hot 🔥

my beloved

my favorite UndeadCapulet's map

this map is like a fine wine: it gets better with time and is inaccessible to the underage

This map is just 3 seconds of an hw map stretched across 3 mins

huh?

don't think i will ever understand this, what are y'all seeing in this ☠️☠️☠️

my favorite map of all time :33333

ya thats fair

im Fine with talking about this to someone i juist hate this website as a medium of genuine discourse so i generally avoid elaborating

if the first kiai was as good as the last 2 and the verses had something going for them this would be good

bro has not played the map [3] some of yall get on my case about writing paragraphs but at least i dont say "rendezvous movement sucks" and vanish

best UC map

why do they call it movement mapping when the movement sucks [1]

this is my best map, i really hope you enjoy it

thank you all who were with me on my journey

This is what venix copies his hw from

osu endgame

i remember reallly liking this map when i first saw it

DQ now pls
01:22:507 (1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,42,43,44,45,46,47,48,49,50,51,52,53,54,55,56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71,72,73,74,75,76,77,78,79,80,81,82,83,84,85) -
5 years ago
Denied from obtaining kudosu.

bro has not played the map

why do they call it movement mapping when the movement sucks

fyre!

meh its ok 5/5

it was a very impactful map but imo its a lot more shock value than anything concrete

its aight

i get it

i dont get it

it was shocking when i first see it

this unironically changed my entire view on mapping

this map had a lot of impact on how i view mapping as a whole. it taught me that gameplay is what it's all about; i can't appreciate enough how tightly the map plays to the music, truly an experience to be had

this chorus is unfortunately flaccid as fuck now that i looka t this again but i appreciate a lot of these rhythm choices/gameplay

classic sectional contrast from UC; compare how the cursor travels in the intro vs. the chorus, and then look at the whole map. every pattern manages to feel tailor-made for the song, 01:16:762 (5,6,1,2,1,2,3,4) - see 5-6 followed by the big 1-2-1 triangle for the drum crashes, but also see 6-1-2 for the vocals, with 2-3-4 hovering back over covered space to fit how "that" lingers, and 5-6 are also picking up on the bass continuing from the objects before them. there is so much

personally I think the choruses aren't as impactful as they could be even though the contrast is there, but 01:22:507 - this section fucks, amazing rhythm, the curved sliders fit the timbre of the bass and synth, here we have non black-and-white use of playfield traversal to follow harmonic changes and for highlights like 01:40:379 (73,74,75,76,77,78,79,80) -

this is the Dark Side Of The Moon for movement mappers

UNDEADCAPULET 3/14
for archival, this is 3.85 from 13 votes rn. ive heard a lot of ppl juice this. the difficulty balancing is actually a big improvement from the last 2 maps due to the use of difficult rhythm in the verses leading to a nice contrast between the more open choruses and claustrophobic verses. i can see this being a grower