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Mapping Overview

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Excl. collabs with 4+ mappers Taio Cruz - Dynamite [Insane] improvisation Uses patterns that do not correspond to sounds in the music, often using hitsounds to add sounds in. , avant-garde Employs boundary-pushing and experimental philosophies to map design, often foregoing gameplay and aesthetic conventions to extreme measures. , flow aim Patterns with fully continuous cursor movement, usually due to a combination of wide angles and little time between objects. , streams Patterns requiring continuous movement and alternating, typically more than 9 notes. , cutstreams Streams in which the spacing of certain notes is much larger than the rest of the stream.
Ranked Nov 5th, 2010
3.58 / 5.00 from 11 votes
#61 for 2010, #4141 overall
Total Ratings Received: 14
Average Star Rating: 4.38*
Most Active Year: 2010

Top Descriptors improvisation Uses patterns that do not correspond to sounds in the music, often using hitsounds to add sounds in. , avant-garde Employs boundary-pushing and experimental philosophies to map design, often foregoing gameplay and aesthetic conventions to extreme measures. , visually dense Contains patterns where the amount of visible notes makes determining note order and/or timing difficult. , cutstreams Streams in which the spacing of certain notes is much larger than the rest of the stream. , finger control Uses complex applications of rhythms in order to test the player's tapping ability. , difficulty spike Contains a sudden and significant increase in challenge within the map's gameplay. , messy Visually chaotic and intentionally disorganised patterns, often involving many overlaps and unequal visual spacing between objects. , streams Patterns requiring continuous movement and alternating, typically more than 9 notes. , flow aim Patterns with fully continuous cursor movement, usually due to a combination of wide angles and little time between objects. , repetition Features the use of recognizable identical patterns or gameplay elements.


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10 comments 3.58 / 5.00 from 11 votes
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