weirdly enough i always attributed to Luanny the idea of using high CS on this kind of song back in 2012-13 but I just looked at my original Hard diff on CNF's mapset (which i can't rate cuz no graved maps!!!!!!!!!!) and it was CS6 wtf
also 5 months later i can say that one pattern in collab extra actually changed my mapping mindset completely. it legitimately undone 15 years of opinions about mapping with a single pattern
And I Don't Seem To Understand the top diff cuz i feel like aranel's version clears this at least in terms of song representation. this just feels like a pattern showcase to me
re: uberzolik i think offscreen stuff is an underutilized asset in mapping (obviously because of its unrankability) so i just appreciate it being used overall but the usage in this mapping falls into what my comment entails imo
this feels like an alternate reality map. while i think it has its merits and is awesome in some ways i don't really see what's outstanding about it. maybe it's the aesthetic/presentation?
perhaps this is just a niche that hasn't ever been filled, rhythmically complex songs on a clean symmetry/geometric style with overall low spacing and linear movement that doesn't straight up feel like just 'alternator mapping' probably isn't something you think of every day
some cool ideas here and there e.g. the offscreen stuff but i feel like it doesn't matter when you lose all sense of playability and even as a visualization i feel like it's far too inconsistent and experimental to leave any lasting impact other than its novelty factor
as peter griffin once said: it insists upon itself; it's shallow and pedantic.
more of this please
although i wish some of the 1/6s were mapped :(
i genuinely dont get it this map has the worst aspects of all the worst maps
but we literally have a section in loved just for full spreads
it's a very tasty one though
i mean this in the least offensive way possible but this map legitimately feels like a great nothingburger
it's still crazy that in 2022 you could receive credit for making an AI background though
just realized this is an AI background i made gg it's over
from what I remember it's Cyclohexane but I might be wrong
/s/79902 but yea check out cnf's map it's very cool
weirdly enough i always attributed to Luanny the idea of using high CS on this kind of song back in 2012-13 but I just looked at my original Hard diff on CNF's mapset (which i can't rate cuz no graved maps!!!!!!!!!!) and it was CS6 wtf
silly (in a good way)
also don't sleep on the expert diff
it's good
also 5 months later i can say that one pattern in collab extra actually changed my mapping mindset completely. it legitimately undone 15 years of opinions about mapping with a single pattern
i think i finally get semaphore's diff
And I Don't Seem To Understand the top diff cuz i feel like aranel's version clears this at least in terms of song representation. this just feels like a pattern showcase to me
00:59:045 (1,1,2,3,1) - what did he mean by this
this is a 3* with 5* highs and 1* lows
i think its a really good map hope this helps
re: uberzolik i think offscreen stuff is an underutilized asset in mapping (obviously because of its unrankability) so i just appreciate it being used overall but the usage in this mapping falls into what my comment entails imo
i cant believe this map is xenophobic
this feels like an alternate reality map. while i think it has its merits and is awesome in some ways i don't really see what's outstanding about it. maybe it's the aesthetic/presentation?
perhaps this is just a niche that hasn't ever been filled, rhythmically complex songs on a clean symmetry/geometric style with overall low spacing and linear movement that doesn't straight up feel like just 'alternator mapping' probably isn't something you think of every day
some cool ideas here and there e.g. the offscreen stuff but i feel like it doesn't matter when you lose all sense of playability and even as a visualization i feel like it's far too inconsistent and experimental to leave any lasting impact other than its novelty factor
as peter griffin once said: it insists upon itself; it's shallow and pedantic.
incredible
friendok my beloved